Yes or No? Installation at Krowswork, 2014-15 Mixed media collage on New York Times pages on plywood shelves, dimensions variable. Collection of Mills Collage Art Museum.
Yes or No? Installation at Krowswork, 2014-15 Mixed media collage on New York Times pages on plywood shelves, dimensions variable. Collection of Mills Collage Art Museum.
During the creation of Yes or No? (2014-15), Rapoport was engaged in the process of organizing and cataloging the extensive archives of her research-based art practice, now at the Bancroft Library of Western Americana at the University of California, Berkeley. This process of revisiting her past works is a defining methodology of Rapoport’s practice.
In Yes or No?, she collaged duplicate papers and image fragments from various periods in her career onto full-page New York Times advertisements. She presents this autobiographical montage in the context of quotations from The Modern Moves West: California Artists and Democratic Culture in the Twentieth Century by Richard Cándida Smith, which describe the work of Beat artist Jay DeFeo, a former classmate of Rapoport’s at Berkeley. Struck by how Cándida Smith’s descriptions of DeFeo’s artistic process and creative life seemed to parallel her own, Rapoport used selected phrases as borrowed illuminations on her own artistic career, whimsically and unapologetically transforming printed language and assumed history from a fixed form into an alchemical tool whereby new meanings are made visible.”
– From Sonya Rapoport: Final Works exhibition statement by Jasmine Moorhead and Farley Gwazda, 2015.
Yes or No?, 2014-15 Mixed media collage on New York Times pages, set of 24, dimensions variable. Collection of Mills Collage Art Museum.
Catalog Now Available
An illustrated catalog for Yes or No? created by Art Historians Alla Efimova and Terri Cohn is now available. The authors decipher and interpret this tour de force of visual philosophy, exploring the various eras of her career to make this autobiographical collage series accessible to Rapoport’s viewers and readers.
